THE EPIC OF GILGAMESH / NIMROD: Second Oldest Writing – From The Lost Book Of Enki
THE EPIC OF GILGAMESH / NIMROD: Second Oldest Writing – From The Lost Book Of Enki
JULY 17, 2012 BY
This ancient story was considered the oldest human writing until the finding and translation of The Lost Book Of Enki, from which it is based.
It’s also important because of who the story is about. Gilgamesh is another name for Nimrod or Amon-Ra. Whose birthday just happens to be December 25th. He is a very central figure in the Lucerferian / Illuminism Religious Concepts. Their “Morning Star”.
He was a complete Tyrant. He was also founder and Ruler of Babylon and many other cities of old. He was also a Giant.
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The Epic of Gilgamesh is, perhaps, the oldest written story on Earth. It comes to us from Ancient Sumeria, and was originally written on 12 clay tablets in cunieform script. It is about the adventures of the historical King of Uruk (somewhere between 2750 and 2500 BCE).
The story centers on a friendship between Gilgamesh and Enkidu. Enkidu is a wild man created by the gods as Gilgamesh’s equal to distract him from oppressing the people of Uruk.
Together, they journey to the Cedar Mountain to defeat Humbaba, its monstrous guardian. Later they kill the Bull of Heaven, which the goddess Ishtar sends to punish Gilgamesh for spurning her advances. As a punishment for these actions, the gods sentence Enkidu to death.
The later half of the epic focuses on Gilgamesh’s distress at Enkidu’s death, and his quest for immortality. In order to learn the secret of eternal life, Gilgamesh undertakes a long and perilous journey to find the immortal flood hero, Utnapishtim. He learns that “The life that you are seeking you will never find.
When the gods created man they allotted to him death, but life they retained in their own keeping.” His fame however lived on after his death, because of his great building projects, and his account of what Utnapishtim told him happened during the flood.
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Gilgamesh, King of Uruk, was two-thirds God and one-third human, and 100% trouble. 18 feet tall, a seething tower of testosterone. None of the women were safe from him and all men were his slaves.
Tablet One
The story begins by introducing Gilgamesh, king of Uruk. Gilgamesh, two-thirds god and one-third man, is oppressing his people, who are crying out to the gods for help. For the young women of Uruk this oppression takes the form of a droit de seigneur — or “lord’s right” — to sleep with newly married brides on their wedding night. For the young men (the tablet is damaged at this point) it is conjectured that Gilgamesh is exhausting them through games, tests of strength, or perhaps forced labour on building projects. The gods respond to their pleas by creating an equal to Gilgamesh in order to distract him. They create a primitive man, Enkidu, who is covered in hair and lives in the wild with the animals. He is spotted by a trapper, whose livelihood is being ruined because Enkidu is uprooting his traps. The trapper tells Gilgamesh of the man, and it is arranged for Enkidu to be seduced by a harlot. This seduction by Shamhat, a temple prostitute, is his first step towards civilization, and after seven days of making love with him, she proposes to take him back to Uruk. Gilgamesh, meanwhile, has been having dreams that relate to the imminent arrival of a loved new companion.
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Tablet Two
Shamhat brings Enkidu to a shepherds’ camp, where he is introduced to a human diet, and becomes the night watchman. Learning from a passing stranger about Gilgamesh’s treatment of new brides, Enkidu is incensed and travels to Uruk to intervene at a wedding. When Gilgamesh attempts to visit the wedding chamber, Enkidu blocks his way, and they fight. After a fierce battle, Enkidu acknowledges Gilgamesh’s superior strength and they become friends. Gilgamesh proposes a journey to the Cedar Forest to slay the monstrous demi-god Humbaba, in order to gain fame and renown. Despite warnings from Enkidu, and the council of elders, Gilgamesh will not be deterred.
The humans would turn their backs on the gods if they did not tame Gilgamesh so the gods created the King a massive playmate, Enkidu; part-man, part-beast. The two giants bonded in combat and then went off on noble adventures leaving the people of Uruk to get on with their lives.
tablet Three
The elders give Gilgamesh advice for his journey. Gilgamesh visits his mother, the goddess Ninsun, who seeks the support and protection of the sun-god Shamash for their adventure. Ninsun adopts Enkidu as her son, and Gilgamesh leaves instructions for the governance of Uruk in his absence.
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Tablet four
Gilgamesh and Enkidu journey to the Cedar Forest. Every few days they camp on a mountain, and perform a dream ritual. Gilgamesh has five terrifying dreams about falling mountains, thunderstorms, wild bulls, and a thunderbird that breathes fire. Despite similarities between his dream figures and earlier descriptions of Humbaba, Enkidu interprets these dreams as good omens, and denies that the frightening images represent the forest guardian. As they approach the cedar mountain, they hear Humbaba bellowing, and have to encourage each other not to be afraid.
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Tablet five
The heroes enter the cedar forest. Humbaba, the ogre-guardian of the Cedar Forest, insults and threatens them. He accuses Enkidu of betrayal, and vows to disembowel Gilgamesh and feed his flesh to the birds. Gilgamesh is afraid, but with some encouraging words from Enkidu the battle commences. The mountains quake with the tumult and the sky turns black. The god Shamash sends 13 winds to bind Humbaba, and he is captured. The monster pleads for his life, and Gilgamesh pities him. Enkidu, however, is enraged and asks Gilgamesh to kill the beast. Humbaba curses them both and Gilgamesh dispatches him with a blow to the neck. The two heroes cut down many cedars, including a gigantic tree that Enkidu plans to fashion into a gate for the temple of Enlil. They build a raft and return home along the Euphrates with the giant tree and the head of Humbaba.
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Tablet six
Gilgamesh rejects the advances of the goddess Ishtar because of her mistreatment of previous lovers like Dumuzi. Ishtar asks her father Anu to send Gugalanna the Bull of Heaven to avenge her. When Anu rejects her complaints, Ishtar threatens to raise the dead who will “outnumber the living” and “devour them”. Anu becomes frightened, and gives into her. Ishtar leads the bull of heaven to Uruk, and it causes widespread devastation. It lowers the level of the Euphrates river, and dries up the marshes. It opens up huge pits that swallow 300 men. Without any divine assistance, Enkidu and Gilgamesh attack and slay it, and offer up its heart to Shamash. When Ishtar cries out, Enkidu hurls one of the hindquarters of the bull at her. The city of Uruk celebrates, but Enkidu has an ominous dream.
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Tablet seven
In Enkidu’s dream, the gods decide that one of the heroes must die because they killed Humbaba and the Bull of Heaven. Despite the protestations of Shamash, Enkidu is marked for death. Enkidu curses the great door he has fashioned for Enlil’s temple. He also curses the trapper and Shamhat for removing him from the wild. Shamash reminds Enkidu of how Shamhat fed and clothed him, and introduced him to Gilgamesh. Shamash tells him that Gilgamesh will bestow great honors upon him at his funeral, and will wander into the wild consumed with grief. Enkidu regrets his curses and blesses Shamhat. In a second dream however he sees himself being taken captive to the Netherworld by a terrifying Angel of Death. The underworld is a “house of dust” and darkness whose inhabitants eat clay, and are clothed in bird feathers, supervised by terrifying beings. For 12 days, Enkidu’s condition worsens. Finally, after a lament that he could not meet a heroic death in battle, he dies.
Tragedy struck when Enkidu died and Gilgamesh experienced grief for the first time. Not just grief and loss, but also the realisation that one day death would come to him too.
Gilgamesh could not come to terms with his friend’s death or the looming destiny of his own final fate: He set off on a quest to find eternal life.
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Tablet eight
Gilgamesh delivers a lamentation for Enkidu, in which he calls upon mountains, forests, fields, rivers, wild animals, and all of Uruk to mourn for his friend. Recalling their adventures together, Gilgamesh tears at his hair and clothes in grief. He commissions a funerary statue, and provides grave gifts from his treasury to ensure that Enkidu has a favourable reception in the realm of the dead. A great banquet is held where the treasures are offered to the gods of the Netherworld. Just before a break in the text there is a suggestion that a river is being dammed, indicating a burial in a river bed, as in the corresponding Sumerian poem, The Death of Gilgamesh.
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Tablet nine
Tablet nine opens with Gilgamesh roaming the wild clothed in animal skins, grieving for Enkidu. Fearful of his own death, he decides to seek Utnapishtim (“the Faraway”), and learn the secret of eternal life. Among the few survivors of the Great Flood, Utnapishtim and his wife are the only humans to have been granted immortality by the gods. Gilgamesh crosses a mountain pass at night and encounters a pride of lions. Before sleeping he prays for protection to the moon god Sin. Then, waking from an encouraging dream, he kills the lions and uses their skins for clothing. After a long and perilous journey, Gilgamesh arrives at the twin peaks of Mount Mashu at the end of the earth. He comes across a tunnel, which no man has ever entered, guarded by two terrible scorpion-men. After questioning him and recognising his semi-divine nature, they allow him to enter it, and he passes under the mountains along the
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Tablet ten
Meeting the ale wife Siduri, who assumes, because of his dishevelled appearance, that he is a murderer, Gilgamesh tells her about the purpose of his journey. She attempts to dissuade him from his quest, but sends him to Urshanabi the ferryman, who will help him cross the sea to Utnapishtim. Gilgamesh destroys some stone-giants that live with Urshanabi. He tells him his story, but when he asks for his help Urshanabi informs him that he has just destroyed the only creatures who can cross the Waters of Death, which are deadly to the touch. Urshanabi instructs Gilgamesh to cut down 300 trees, and fashion them into punting poles. When they reach the island where Utnapishtim lives, Gilgamesh recounts his story asking him for his help. Utnapishtim reprimands him, declaring that fighting the common fate of humans is futile and diminishes life’s joys.
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Tablet eleven
Gilgamesh observes that Utnapishtim seems no different from himself, and asks him how he obtained his immortality. Utnapishtim explains that the gods decided to send a great flood. To save Utnapishtim the god Ea told him to build a boat. He gave him precise dimensions, and it was sealed with pitch and bitumen. His entire family went aboard, together with his craftsmen and “all the animals of the field”. A violent storm then arose which caused the terrified gods to retreat to the heavens. Ishtar lamented the wholesale destruction of humanity, and the other gods wept beside her. The storm lasted six days and nights, after which “all the human beings turned to clay”. Utnapishtim weeps when he sees the destruction. His boat lodges on a mountain, and he releases a dove, a swallow, and a raven. When the raven fails to return, he opens the ark and frees its inhabitants. Utnapishtim offers a sacrifice to the gods, who smell the sweet savor and gather around. Ishtar vows that just as she will never forget the brilliant necklace that hangs around her neck, she will always remember this time. When Enlil arrives, angry that there are survivors, she condemns him for instigating the flood. Ea also castigates him for sending a disproportionate punishment. Enlil blesses
Utnapishtim and his wife, and rewards them with eternal life. This account matches the flood story that concludes the Epic of Atrahasis (see also Gilgamesh flood myth).
The main point seems to be that when Enlil granted eternal life it was a unique gift. As if to demonstrate this point, Utnapishtim challenges Gilgamesh to stay awake for six days and seven nights. Gilgamesh falls asleep, and Utnapishtim instructs his wife to bake a loaf of bread on each of the days he is asleep, so that he cannot deny his failure to keep awake. Gilgamesh, who is seeking to overcome death, cannot even conquer sleep! After instructing Urshanabi the ferryman to wash Gilgamesh, and
clothe him in royal robes, they return back to Uruk.
clothe him in royal robes, they return back to Uruk.
As they are leaving, Utnapishtim’s wife asks her husband to offer a parting gift. Utnapishtim tells Gilgamesh that at the bottom of the sea there lives a boxthorn-like plant that will make him young again. Gilgamesh, by binding stones to his feet so he can walk on the bottom, manages to obtain the plant. He intends to test it on an old man when he returns to Uruk. Unfortunately, when Gilgamesh stops to bathe, it is stolen by a serpent, who sheds its skin as it departs. Gilgamesh weeps at the futility of his efforts, because he has now lost all chance of immortality. He returns to Uruk, where the sight of its massive walls prompts him to praise this enduring work to Urshanabi.
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